



Here is an illustration by Olly Moss called Consumable. It is actually a design for a t-shirt. I couldn't find any information on this image but I think its a really good image I like the humorous design and the use of colour. It is basically a drawing of a Tesco apple juice carton in black and white, with a brightly coloured piece of paper with a face drawn on, which I think is supposed to represent a post-it note, there is also a speech bubble in the same style as the post-it note. I like that there is no text, just one simple image. I would really like to take inspiration from Olly Moss in my own work.


Within this essay I am going to discuss the work of ‘Lucian Freud’. To do so I am going to look at 3 of his paintings, focusing on his influences, techniques used and his individual style. Lucian Freud is an English painter that was born on the 8th of December 1922. His early paintings were associated with surrealism and he usually used a thin paint, then in the 1950’s he changed to doing nude portraits.He usually paints images of nude people lying across a bed or the floor and he also did many portraits of pets and their owners. Freud has been known to spend up to 4000 hours on a painting and many of his paintings show that they have had a large amount of passion and time put into them.
Lucian Freud/Naked portrait with reflection/oil on canvas/1980/http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5101414
Here is a portrait of a naked woman, Freud has used thick rich but somewhat dull colours. Like Jenny Saville, who his work is often compared to, he has painted blotchy red patches on different parts of her body, mainly on her face. He has painted the model in an awkward position, blushing, this shows that she must of felt uncomfortable at the time, or he would of liked her to feel uncomfortable. Although he has given her patchy blotches, he has still painted her skin thick and in some ways, visually appealing.
One of the portraits of a pet and its owner is “girl white dog” http://www.ibiblio.org/wm/paint/auth/freud/
The colours of this piece are mainly based around pale yellows and greens.
I find this painting in particular very interesting and different from most of his other paintings, he seems to have painted her much more beautiful than she really is, as if he’s painted her as he see’s her through his own eyes. Usually his work seems really thick and “daubed” but this image seems more gentle, as if he has caressed her body with his paintbrush.
Reflection (self portrait) oil on canvas 1985.
http://www.ibiblio.org/wm/paint/auth/freud/
this is one of lucian frued’s later paintings, I find this one of his best paintings. It seems that the newer his paintings are the better the quality of his work. Freud works with thick impasto in relatively muted colours. The use of layering paired with his thick media make his subject (himself) really stand out and seem much more lifelike.
In this essay i am going to discuss the work of the artist 'Jenny Saville', an english oil painter who's work is very harsh and vulgar, she paints trauma victims, surgery patients, transexuals and transvestites in such an awful but beautiful way. In this essay i am going to discuss Jenny Saville's techniques, materials, processes etc and the effect they have on her audience.
Saville is famous for her paintings of overweight, disfigured ugly or surgery patients. Some of her work is of slaughtered pigs and women pressed awkwardly against glass sheets. Because of the size of the canvas Jenny Saville likes to work on, and the size of the models she paints, the viewer seems to feel like a small child looking up at a huge picture, a huge truthful picture that cannot be escaped from. Jennie Saville seems to enjoy painting the uncomfortable truth and displaying it in a such a large unavoidable way, her audience cannot escape it. Saville doesnt want to hide away the overweight, ugly, disfigured people, she wants them to be admired.
Saville uses oil paint on a huge larger than life size scale canvas. she paints in a way similar to finger painting and she pays very little attention to detail, she doesnt bother about keeping inside the lines or using repetitive brush strokes in one direction, because her work is to put across a message that no one is perfect, so therefore her work of ‘un-perfect’ people should be painted in an ‘un-perfect’ way.
She uses pigmented hues and tones in her work and the way she uses her almost creamy oil paint gives the skin a poured or smeared appearance, making it seem almost impossible to look realistic.
In conclusion, i really like the harsh vulgar work of Jennie Saville, you have to look behind the disgusting far-fetched images, and find the hidden messages behind each individual piece of work she has created in such a beautiful yet ugly way. I have enjoyed looking at Savilles work and i would definitely like to use her techniques and processes in my own work in the future.